![]() Since the cultural stories we read to children in their formative years have a powerful influence on their lives, Tatar emphasizes the importance of interrogating and reinterpreting these bedtime tales. ![]() After examining how fairy tales were converted into children's literature, the author investigates the acculturation of heroines in such stories as Cinderella and Beauty and the Beast, and concludes with meditations on violence, cannibalism and conflicts between parents and children. Children's literature, Maria Tatar maintains, has always been more intent on producing docile minds than playful bodies. In this book she explores how adults mistreat children, focusing on adults not only as hostile characters in fairy tales themselves but also as real people who use frightening stories to discipline young listeners. When fairy tales moved from workrooms, taverns, and the fireside into the nursery, they not only lost much of their irreverent, earthy humor but were also deprived of their contestatory stance to official culture. ![]() ![]() ![]() When Hansel and Gretel try to eat the witch's gingerbread house in the woods, are they indulging their uncontrolled cravings and destructive desires, or are they simply responding normally to the hunger pangs they feel after being abandoned by their parents? Challenging Bruno Bettelheim and other critics who read fairy tales as enactments of children's untamed urges, Maria Tatar argues that it is time to stop casting the children as villains. ![]()
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